Logic of the Absurds :: Free Essay Writer

Logic of the AbsurdsMans fundamental bewilderment and confusion, stems from the fact that man has no answers to the basic existential questions wherefore we are alive, why we have to die, why there is injustice and suffering, all this serve as the impetus for such a thinking. Man constantly wonders about the true statement of lifespan and realizes that the more than you command from it, the more it gets you or may be the more we expect from ourselves the more we find ourselves engaging in a futile encounter with the odds. May be the truth is the realization of our limitations and the potency of these odds that charge you down with their brutal truths..brutal?, can the truth be brutal. But the truth is the God, ourselves, the destiny that rules us and fashions us, after a strange decree which we fail to unravel. What do I know about mans destiny? I could advertise you more about radishes. -Samuel Beckett Concerning itself with such questions is the genre of literature is the movement called THE sphere OF THE ABSURD. The Theatre of the Absurd (50s) draws on the existentialist writings of jean Paul Sartre and Albert Camus. Camus adapted Dostoyevskys The Possesed to the stage (1959). Mostly, his writing was concerned with the dilemma of individuals who commit that values are relative but who cannot live without moral commitment. Camus argues that reality has to resign itself to recognizing that a fully satisfying rational explanation of the earth is beyond its reach thus the world must ultimately be seen as absurd. The underpinnings of the Theatre of the Absurd are derived from these existentialist ideas that led to Absurdism. Absurdism teaches, ofttimes like Camus, that, that which cannot be justified in a rational expressive style is absurd. Since religion requires a leap of faith(Kierkegaard) it is absurd, just as life itself is absurd. The Theater of the Absurd refers to tendencies in dramatic literature that emerged in genus Paris during the l ate 1940s and early 50s in the plays of Arthur Adamov, Fernando Arrabal, Samuel Beckett, Jean Genet, Eugene Ionesco, and Jean Tardieu. A term coined by the critic Martin Esslin, The Theatre of the Absurd refers to the work of a bend of playwrights, mostly written in the 1950s and 1960s. Its roots lie in an essay by the French philosopher Albert Camus. In his Myth of Sisyphus, written in 1942, he first defined the human situation as basically nonsense(prenominal) and absurd.