Lost Illusions, Bitter Wisdom and Fragile Hope in The Tempest Essay

muzzy Illusions, Bitter Wisdom and Fragile Hope in The Tempest Is Shakespeares play, The Tempest, a drama of lost illusions, bitter scholarship and fragile entrust? Before this question can be considered, one introductory has to hear these terms. Perhaps bitter wisdom and fragile hope are sanely simple concepts to understand, lost illusions is somewhat less clear, particularly in the typeface of The Tempest. There are three main expositions of lost illusions that could be made. The first is that of a revelation of the mind the discarding of an illusion to reveal the uprightness of ones feelings. The punt is comparable scarcely with a subtle difference the lifting of an illusion to disclose the truth about something physical (instead of emotional, as in the first case). The last interpretation could not be applied to every use of the word illusion, but suits The Tempest extremely well this third analysis revolves around trick and the transmundane world. There are se veral clear examples from the text to expand these various points of view. For the first case we have the character of Prospero who, by the wipeout of the play, has realised that he requires to a greater extent in his life than his Art of magic. He comes to acknowledge that he needs a change of environment, however lots he will miss his old life on the island. For the second interpretation, we have the circumstances surrounding Antonios usurpation of Prosperos title (told only in flashbacks) the true events that occurred then only come to light at the turn back of the play, when Prospero reveals the entire story to the assembled characters. The third interpretation, that of magic, is present throughout the play, as Prospero exerts his supernatural talents upon the... ...ased to be a problem, whereas Alonso has the next of his son to contemplate a future that is by no means certain. From all this, it is clear that, in a general sense, Shakespeares play, The Tempest, is a drama of lost illusions, bitter wisdom and fragile hope, as many characters go through that cycle (lost illusions, ahead(p) to bitter wisdom and ending with fragile hope), or various move of it. Also, this description can be used in a more precise manner, when dealing solely with individual characters, particularly Prospero, Miranda, Alonso and Ferdinand. Works Cited and Consulted Cesaire, Aime. A Tempest. Trans. Richard Miller. New York UBU, 1992. Kermode, Frank. Introduction, in The Tempest(Arden Edition), (London Methuen, 1962), xlvii-xlviii. West, Robert. Shakespeare and the Outer Mystery. Lexington UP of Kentucky, 1968.